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| | ==Summary== | | ==Summary== |
| | | | |
| − | '''OPTIONS'''
| + | The oppertunity is approached from four different angles. Each angle is one version. |
| | | | |
| − | VIRTUAL REALITY MUSEUM
| + | Version 1: Development |
| | + | Version 2: Interaction |
| | + | Version 3: Dynamic |
| | + | Version 4: Finances |
| | | | |
| − | SELF CREATING PAVILLION
| + | Integration of different versions is possible. |
| | + | Addition of other versions is possible. |
| | | | |
| − | FAIR
| + | '''Version 1: Development''' |
| | | | |
| − | MEDITATION/RELIGION
| + | To create an interactive and confronting architectural structure that does not lay itself upon the visitor, but stimulates the development of his or her ideas about society, philosophy, economics and politics. |
| | | | |
| − | MONUMENT
| + | '''Version 2: Interaction''' |
| | | | |
| − | JAIL
| + | Visitors interact with building. |
| | + | Building interacts with visitors. |
| | + | Visitors interact with past, current and future visitors through the building. |
| | + | Visitors interact with current visitors immediately. |
| | + | The building is a medium. |
| | | | |
| − | ISPIRATIONAL CENTRE
| + | '''Version 3: Dynamic''' |
| | | | |
| − | MAZE
| + | The building adapts according to interactions. In a sense, the building develops just like the visitors in version 1. |
| | | | |
| − | MIRROR PALACE
| + | '''Version 4: Finances''' |
| | | | |
| − | INVISIBLE PALACE
| + | The building is created by input of the visitors, of the users of the people. This input can be as: |
| | | | |
| − | WATER REFLECTION
| + | - donation of materialistic property |
| | | | |
| | + | - donation of physical property / effort |
| | | | |
| − | '''Goal:'''
| + | - donation of intellectual property |
| | | | |
| − | To create an interactive and confronting architectural structure that does not lay itself upon the visitor, but stimulates the development of his or her ideas about society, philosophy, economics and politics.
| + | - ... |
| | | | |
| − | The architect acts as well as a project developper as a designer.
| + | '''Examples''' |
| | | | |
| − | The project must have some financial viable sense.
| + | VIRTUAL REALITY MUSEUM |
| | + | |
| | + | SELF reCREATING PAVILLION |
| | + | |
| | + | FAIR |
| | + | |
| | + | MEDITATION CENTRE |
| | + | |
| | + | MONUMENT |
| | + | |
| | + | OPEN JAIL |
| | + | |
| | + | INSPIRATIONAL CENTRE |
| | + | |
| | + | CONFRONTING MIRROR MAZE |
| | + | |
| | + | INVISIBLE PALACE |
| | | | |
| | ==Connections== | | ==Connections== |
Confrontation
author(s):Thomas Cornelis Boreas Steigenga
Summary
The oppertunity is approached from four different angles. Each angle is one version.
Version 1: Development
Version 2: Interaction
Version 3: Dynamic
Version 4: Finances
Integration of different versions is possible.
Addition of other versions is possible.
Version 1: Development
To create an interactive and confronting architectural structure that does not lay itself upon the visitor, but stimulates the development of his or her ideas about society, philosophy, economics and politics.
Version 2: Interaction
Visitors interact with building.
Building interacts with visitors.
Visitors interact with past, current and future visitors through the building.
Visitors interact with current visitors immediately.
The building is a medium.
Version 3: Dynamic
The building adapts according to interactions. In a sense, the building develops just like the visitors in version 1.
Version 4: Finances
The building is created by input of the visitors, of the users of the people. This input can be as:
- donation of materialistic property
- donation of physical property / effort
- donation of intellectual property
- ...
Examples
VIRTUAL REALITY MUSEUM
SELF reCREATING PAVILLION
FAIR
MEDITATION CENTRE
MONUMENT
OPEN JAIL
INSPIRATIONAL CENTRE
CONFRONTING MIRROR MAZE
INVISIBLE PALACE
Connections
01NAME, 02NAME
