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| | ==Summary== | | ==Summary== |
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| − | The oppertunity is approached from four different angles. Each angle is one version.
| + | '''PROJECT''' |
| | | | |
| − | Version 1: Development
| + | An interactive and confronting architectural structure that does not lay itself upon the visitor, but stimulates the development of his or her ideas about and to reflect upon themselves, society, philosophy, economics, politics and moral and value questions. |
| − | Version 2: Interaction
| + | |
| − | Version 3: Dynamic
| + | |
| − | Version 4: Finances
| + | |
| | | | |
| − | Integration of different versions is possible.
| + | The place could have characteristics of present day functions in common like: meditation/learning centre, cathedral, monastery, fitness club, university, social club, bar/restaurant, theatre, public parc, library, museum, monument, fair, jail, palace, mirror palace and many others. |
| − | Addition of other versions is possible.
| + | |
| | | | |
| − | '''Version 1: Development''' | + | '''Inspiration:'''SARKIS Exposition, Boijmans Submarine Dependance |
| − | | + | |
| − | To create an interactive and confronting architectural structure that does not lay itself upon the visitor, but stimulates the development of his or her ideas about society, philosophy, economics and politics.
| + | |
| − | | + | |
| − | '''Version 2: Interaction'''
| + | |
| − | | + | |
| − | Visitors interact with building.
| + | |
| − | Building interacts with visitors.
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| − | Visitors interact with past, current and future visitors through the building.
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| − | Visitors interact with current visitors immediately.
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| − | The building is a medium.
| + | |
| − | | + | |
| − | '''Version 3: Dynamic'''
| + | |
| − | | + | |
| − | The building adapts according to interactions. In a sense, the building develops just like the visitors in version 1.
| + | |
| − | | + | |
| − | '''Version 4: Finances'''
| + | |
| − | | + | |
| − | The building is created by input of the visitors, of the users of the people. This input can be as:
| + | |
| − | | + | |
| − | - donation of materialistic property
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| − | | + | |
| − | - donation of physical property / effort
| + | |
| − | | + | |
| − | - donation of intellectual property
| + | |
| − | | + | |
| − | - ...
| + | |
| − | | + | |
| − | '''Examples'''
| + | |
| − | | + | |
| − | VIRTUAL REALITY MUSEUM
| + | |
| − | | + | |
| − | SELF reCREATING PAVILLION
| + | |
| − | | + | |
| − | FAIR
| + | |
| − | | + | |
| − | MEDITATION CENTRE
| + | |
| − | | + | |
| − | MONUMENT
| + | |
| − | | + | |
| − | OPEN JAIL
| + | |
| − | | + | |
| − | INSPIRATIONAL CENTRE
| + | |
| − | | + | |
| − | CONFRONTING MIRROR MAZE
| + | |
| − | | + | |
| − | INVISIBLE PALACE
| + | |
| | | | |
| | ==Connections== | | ==Connections== |
Confrontation
author(s):Thomas Cornelis Boreas Steigenga
Summary
PROJECT
An interactive and confronting architectural structure that does not lay itself upon the visitor, but stimulates the development of his or her ideas about and to reflect upon themselves, society, philosophy, economics, politics and moral and value questions.
The place could have characteristics of present day functions in common like: meditation/learning centre, cathedral, monastery, fitness club, university, social club, bar/restaurant, theatre, public parc, library, museum, monument, fair, jail, palace, mirror palace and many others.
Inspiration:SARKIS Exposition, Boijmans Submarine Dependance
Connections
01NAME, 02NAME
