project13:Styling

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(Biological and Mathematical Spaces)
(Biological and Mathematical Spaces)
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Remark/Critic: In one of Sarkis' interviews he mentioned the quality of the exhibition being the visitor able to walk to every part of the exhibition without having to follow a certain '''route'''. By taking on the Fibonacci shape some sense of direction is created. Is this useful? Is this a quality or should visitors have some sort of freedom? Besides that, the round shape is very strong. It does not allow the visitor to much freedom to reflect.  
 
Remark/Critic: In one of Sarkis' interviews he mentioned the quality of the exhibition being the visitor able to walk to every part of the exhibition without having to follow a certain '''route'''. By taking on the Fibonacci shape some sense of direction is created. Is this useful? Is this a quality or should visitors have some sort of freedom? Besides that, the round shape is very strong. It does not allow the visitor to much freedom to reflect.  

Revision as of 21:24, 23 September 2012

Contents

Activities and Space

The activities have already been mentioned in the interactions chapter. The diagram is shows in this paragraph as well. Each of these activities needs a different environment. An architectural space that differs in size, materialization, shape, interior, perception, outside connection, routing, etc. But the activities have a lot in common at the same time. They are even better subdivided in some sort of gradient than a strict matrix. Therefore, lots of different spaces are needed.

13 steigenga activities scheme.jpg

Activities

  • - Think
  • - Meditate
  • - Input
  • - Output
  • - Discuss
  • - Teach

Characteristics of Spaces

  • - Shape
    • - Composition
    • - Scale
  • - Materialization / Color
  • - Interior
  • - Objects
  • - Lightning
  • - Openings
  • - Routing / Connectivity
  • - History / Character
  • - Actors / Figurants

Perception of Spaces

There exist a lot of different ways an architectural space can interact with people. For this stage of the design process focus has been shifted towards one of them: architectural space. The feeling people have in a church is completely different than, for instance, a classroom. Ignoring the function, materialization and use of color and looking only at the shape and the proportion of dimensions the perception of the two is completely different. How can a space influence a person's behavior, thoughts, feelings, etc.? How is architectural space perceptible?

13 STEIGENGA PERCEPTIONSPACE.jpg


Biological and Mathematical Spaces

A great way to shape different size spaces is to research nature and mathematical principles. The Fibonacci series is found both in nature as in mathematics. A first shape is derived from these series.

13 STEIGENGA FIBONACCI.jpg

13 STEIGENGA ACTIVITIESINPLANVIEW.jpg

13 STEIGENGA RENDER 1.jpg

Remark/Critic: In one of Sarkis' interviews he mentioned the quality of the exhibition being the visitor able to walk to every part of the exhibition without having to follow a certain route. By taking on the Fibonacci shape some sense of direction is created. Is this useful? Is this a quality or should visitors have some sort of freedom? Besides that, the round shape is very strong. It does not allow the visitor to much freedom to reflect.

A solution for both of these problems is to allow an extra layer. A layer with a different shape and a different grid. These layers are somehow interconnected, via visually, acoustically or something else. The both layers are a confrontation.

Order of Spaces

Inside/Outside Relationship

Confrontations