project13:Styling

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Contents

Configurations

13 steigenga configuration 1.jpg
13 steigenga configuration 2.jpg
13 steigenga configuration 3.jpg
13 steigenga configuration 4.jpg
13 steigenga configuration 5.jpg
13 steigenga configuration 6.jpg
13 steigenga configuration 7.jpg

Shape development

The architectural part of this project will answer to the need for a home of the monthly Knowledge Centre guests. This home provides space for a range of activities, regular home-related activities like sleeping, eating and relaxing, but also informal program-related activities like discussing, meeting and reflecting. The second part of these activities will be stimulated through the architectural design. The places for sleeping, eating and relaxing should be placed in a way that stimulates interaction while shifting from one to the other. The rooms should be placed like a village design, thus stimulating casual and coincidental meetings and providing public spaces of various sizes to have informal discussions and meetings.

The design shown below is an idea of how this could be developped. Right now it is being reconsidered.

Some other things to take in account for the reconsideration are:

  • - Fixed connections to other projects and the site (for instance to lecture and meetings spaces of other projects in the ReRDM area);
  • - Flexible connections to other projects and the site (Islands and the units of the Reizende Drijvende Markt);
  • - Sustainable energy and building construction solutions;

13 steigenga reference takada.jpg

13 steigenga reference vanessla 2.jpg

13 steigenga reference vanessla 1.jpg

References

Clockwise from top left: Young-Hwan Choi in New York, the Sereo building interior view, nArchitects, H. Meyer in Sevilla, Sereo exterior view, Jardin Botánico-Orquideoram, the concrete tree of Christ en Gantenbein and twice 51 percent studios.

13 steigenga Young Hwan Choi.jpg

13 steigenga Sereo2.jpg

13 steigenga NArchitects1.jpg

13 steigenga Meyer.jpg

13 steigenga Sereo1.jpg

13 steigenga Jardin.jpg

13 steigenga Christ Gantenbein.jpg

13 steigenga 51 percent studios 2.jpg

13 steigenga 51 percent studios 1.jpg

Activities and Space

The activities have already been mentioned in the interactions chapter. The diagram is shows in this paragraph as well. Each of these activities needs a different environment. An architectural space that differs in size, materialization, shape, interior, perception, outside connection, routing, etc. But the activities have a lot in common at the same time. They are even better subdivided in some sort of gradient than a strict matrix. Therefore, lots of different spaces are needed.

13 steigenga newimpression.jpg

Activities and their usual spaces

  • - Lectures in an auditorium;
  • - Workshop and classes in seperate rooms;
  • - Welcoming in a foyer;
  • - Sleeping in studio's;
  • - Eating and drinking in a restaurant or bar;
  • - Relaxing in a park;

Characteristics of Spaces

  • - Shape
    • - Composition
    • - Scale
  • - Materialization / Color
  • - Interior
  • - Objects
  • - Lightning
  • - Openings
  • - Routing / Connectivity
  • - History / Character
  • - Actors / Figurants

Temporary incomplete model

13 STEIGENGA MODEL1 AERIAL.jpg

13 STEIGENGA MODEL1 SECTION.jpg

13 STEIGENGA MODEL1 INTERIOR.jpg

13 STEIGENGA MODEL1 EXPLODED.jpg

Clockwise from top: aerial view of the model; section view of the model (white spaces on top serve as the guest's studio spaces and the bottom space as the workshop/auditorium space; exploded view; interior view.

Perception of Spaces

There exist a lot of different ways an architectural space can interact with people. The feeling people have in a church is completely different than, for instance, a classroom. Ignoring the function, materialization and use of color and looking only at the shape and the proportion of dimensions the perception of the two is completely different. How can a space influence a person's behavior, thoughts, feelings, etc.? How is architectural space perceptible?

13 STEIGENGA PERCEPTIONSPACE.jpg