project34:Interactions
From rerdm
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[[project34:frontpage |'''Front Page''']] | [[project34:frontpage |'''Front Page''']] | ||
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[[project34:styling |'''Styling''']] | [[project34:styling |'''Styling''']] | ||
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[[project34:performance |'''Performance''']] | [[project34:performance |'''Performance''']] | ||
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| − | + | [[project34:reference |'''Reference''']] | |
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The underwater graveyard and temple of the Babel Tower form an apt 'stationary-entrance' for the 'school', as an 'acclimatizating-transition' space for those who traverse it. Its landscaped surface however, leads seamlessly to the landscape of the individual modules forming a 'camouflage' of sorts, to let only the very 'serious' of 'visitors' decipher its existence. The individual sub-disciplines act as 'free-bodies' collaborating and separating variably with each other and over time, depending on their current needs. | The underwater graveyard and temple of the Babel Tower form an apt 'stationary-entrance' for the 'school', as an 'acclimatizating-transition' space for those who traverse it. Its landscaped surface however, leads seamlessly to the landscape of the individual modules forming a 'camouflage' of sorts, to let only the very 'serious' of 'visitors' decipher its existence. The individual sub-disciplines act as 'free-bodies' collaborating and separating variably with each other and over time, depending on their current needs. | ||
| − | + | {{#slideshow: | |
| − | [[ | + | <div>[[Image:Water Morphs Interactions a.jpg| 860px]]</div> |
| + | <div>[[Image:Water Morphs Interactions a2.jpg| 860px]]</div> | ||
| + | <div>[[Image:Water Morphs Interactions a3.jpg| 860px]]</div> | ||
| + | <div>[[Image:Water Morphs Interactions a2.jpg| 860px]]</div> | ||
| + | |id=bar sequence=forward transition=fade refresh=1500 | ||
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Latest revision as of 02:36, 10 February 2013
The underwater graveyard and temple of the Babel Tower form an apt 'stationary-entrance' for the 'school', as an 'acclimatizating-transition' space for those who traverse it. Its landscaped surface however, leads seamlessly to the landscape of the individual modules forming a 'camouflage' of sorts, to let only the very 'serious' of 'visitors' decipher its existence. The individual sub-disciplines act as 'free-bodies' collaborating and separating variably with each other and over time, depending on their current needs.
