project34:Styling
| Line 12: | Line 12: | ||
| − | [[File:Water Morphs styling 4.jpg]] | + | [[File:Water Morphs styling 4-.jpg]] |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| Line 31: | Line 26: | ||
| − | [[File: | + | [[File:Water Morphs Styling 3.jpg]] |
| Line 39: | Line 34: | ||
| − | [[File: | + | [[File:Water Morphs Styling 1.jpg]] |
| + | |||
| + | [[File:Water Morphs Styling 2.jpg]] | ||
The idea of the nested outer envelope also provides surfaces for 'marine-parks', on which the haptic and sensory experience with flaura, fauna, sound, colour, transparency and smell may be modulated specific to each program. | The idea of the nested outer envelope also provides surfaces for 'marine-parks', on which the haptic and sensory experience with flaura, fauna, sound, colour, transparency and smell may be modulated specific to each program. | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
Revision as of 15:39, 17 January 2013
The Para Sciences innovation center functions as a ‘multiplicity’ of activities; of BioGeometry, Of Radiesthesia, of Psychotropics, of Tarrot, Of numerology. These ‘be’ independent modules but will often have varying and transitory overlaps; effecting countless permutation-combinations of global configurations.
A fundamental question here is also about what response a ‘fluid’ demands in terms of being the ‘medium’ of a building as against a stationary medium. Structures built in or on water are not ‘incapacitated’ for movement as the ones on ground are. On the other hand, the activities in the brief too demand a ‘phenomenological’ experience of ‘surrealism’, but one that extends as a dialogic of reality. The project thus proposes a locally controlled swarm with its metaphor in Escher’s Metamorphosis.
As both a behavioural and structural metaphor, ‘Diatoms’ befit. - Their underwater variety, with silica shells as a structural and ‘spatio-material’ case study for optimal performance. - Their tentacle-as-anchor swarming for global geometries, various configurations, of Interactivity
File:Water Morphs Styling 3.jpg
This surreal-real dialogic finds its expression in the nested cages of each module, and this magic-technology duality in the way each ‘cage’ is centrally divided for researcher’s who may possess such ‘complementary’ opinions, as analogously in the idea of the yin and yang.
The form is articulated in a way that when many of these connect, the visitor passes through the central spine without any visual access to the spheres en route. But the researcher’s themselves are immersed in intense ‘sensorial’ experiences.
File:Water Morphs Styling 1.jpg
File:Water Morphs Styling 2.jpg
The idea of the nested outer envelope also provides surfaces for 'marine-parks', on which the haptic and sensory experience with flaura, fauna, sound, colour, transparency and smell may be modulated specific to each program.
